Act of Functional Appropriation, Sovereign Adscription, and Operational Legitimation of Commercial Assets — Mauro Rojas
DECLARATION OF AUTHORSHIP, INTELLECTUAL AND INDUSTRIAL PROPERTY, INTELLECTUAL AND INDUSTRIAL AUTHORITY, EXCLUSIVE OWNERSHIP, SYMBOLIC PROTECTION, AND SOVEREIGN REGISTRATION OF COMMERCIAL ASSETS
Version 1.0
Denomination: Mauro Rojas
Type of Asset: Commercial Brand / Commercial System
Date of Issuance and Activation: June 20, 2025
Date of Official Publication: June 25, 2025
Issued by: Mauro Rojas
🛡️Nature: Legal Self-Determination • Asset Protection • Functional Legal Application
🌑Lunar Phase: New Moon in Cancer
This record is declared permanent, imperishable, and binding at a supraterritorial scale. It is recognized as a foundational act inscribed within the Living Legal System of the Autonomous Capital Jurisdiction — JCA , under principles of functional neutrality, self-determination, and symbolic sovereignty. The validity of this adherence is neither dependent upon nor subordinated to state or conventional systems.
Symbolic sovereignty is declared over all signs, symbols, and narratives linked to this brand, recognizing them as legitimate, operational, and protected functional assets within the Living Legal System of the Autonomous Capital Jurisdiction — JCA.
Interpretation, evolution, and reproduction of its symbolic components are subject solely to the jurisdictional authority of its creator, without subordination to external or conventional normative systems.
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I, Mauro Rojas, a living and sovereign man of full right, pre-juridical, pre-legal and pre-state, legally self-determined and in exercise of my private jurisdiction pursuant to the legal principles documented since 2022, hereby establish:
I. DECLARATION OF ORIGIN AND PURPOSE
In exercise of functional self-determination and under the doctrinal framework of Ius Universalis , the sovereign adherence of the commercial brand named Mauro Rojas to the Autonomous Capital Jurisdiction — JCA, is hereby declared, as an act of symbolic, functional, and economic shielding (blindaje).
This brand is not limited to being a distinguishing mark. It is declared as an autonomous commercial system, with its own identity, functional purpose, and verifiable traceability.
II. IDENTIFICATION: DENOMINATION AND CHARACTERISTICS
ASPECT / FACTOR | DETAILS |
Brand Name | Mauro Rojas |
Slogan / Commercial Motto | |
Writing Style | First letter capitalized. All lowercase. ALL UPPERCASE. |
Integrated Distinctive Components | Recursive imagotype. Root isotype. Logotype. Secondary and derivative isotypes. System of complementary iconographic symbols. Official color palette. |
Presentation on Social Platforms | |
Registration in State System | Yes |
Registration Status | SENADI - National Secretariat of Intellectual Rights, Ecuador. |
Registered Denomination | Mauro Rojas [plus graphic] |
Observation | This brand is declared as a functional asset with industrial sovereignty adscribed to the JCA, regardless of its status within state systems. |
III. OPERATIONAL ARCHITECTURE OF THE BRAND
FIELD | DETAILS |
Application Format | |
Functional Nature | |
Operational Purpose | |
Integrated Disciplines | Jurisdictional architecture. Applied legal construction. Creation, development, and management of intellectual portfolios and assets for industrial and financial application. Business architecture. Hyperversal design. Symbolic and conceptual structure design. Applied research. Executive, commercial, and advertising communication. Strategy, planning, and executive direction. Brand and digital asset development. Arts in all their expressions. |
Operational Launch | |
Target Segment [Summary] | The brand Mauro Rojas is directed toward individuals, collectives, and institutions seeking to transcend traditional models of organization, leadership, and legality—through sovereign structures, strategic thinking, and high-impact functional systems. |
Monetization Model | Multidimensional |
IV. TONE AND POSITIONING
V. FUNCTIONAL TRACEABILITY OF THE BRAND
This section documents the symbolic, functional, and economic evolution of the brand Mauro Rojas, as part of its sovereign legitimization within the Living Legal System of the Autonomous Capital Jurisdiction — JCA, supported by the following timeline of development, activation, and execution:
1. First Stage: 2003–2008 • GERMINATION, INITIAL COMMERCIAL ACTIVITIES, AND EARLY DISTINCTIVE SIGNS.
MARK / DATE | MILESTONE | DESCRIPTION |
Thursday, March 20, 2003 | Autonomous operational launch | |
Tuesday, December 12, 2006 | Commercial evolution and service integration | |
Tuesday, March 20, 2007 | Conceptual creation | |
September–November 2007 | Commercial evolution and service integration | |
Thursday, March 20, 2008 | First definition of distinctive signs | |
September 2008 | First participation in international exhibition | |
Monday, October 20, 2008 | First products with distinctive signs |
2. Second Stage: 2009-2014 • APPLIED RESEARCH, SOCIOECONOMIC DEVELOPMENT, AND INTERNATIONAL EVENTS
DATE | MILESTONE | DESCRIPTION |
January 2009 | Expansion of services toward the public sector | |
July–August 2010 | Participation in international cultural residency in Alanya, Turkey | |
November 2010 – June 2011 | Philosophical foundation of ONOFFON, project is conceived from insights gained during a stay in Istanbul, Turkey. | |
February 2011 | Publication of iconographic symbols and design works in NEW WEB PICK. | |
August 2011 | Initiation of applied research in rural areas for socioeconomic development | |
September 2011 | Participation in international exhibition in Bosnia and Herzegovina | |
Thursday, August 1, 2013 | Participation in DESIGN WITHOUT BORDERS — University of Palermo, Buenos Aires, Argentina. | |
Wednesday, April 23, 2014 | Performance presented at Presley Norton Museum |
3. Third Stage: 2015-2019 • PORTFOLIO EVOLUTION, BRAND IDENTITY REFINEMENT, EDITORIAL PRODUCT CREATION, AND COMMERCIAL DEVELOPMENT
DATE | MILESTONE | DESCRIPTION |
Saturday, March 21, 2015 | Performances El sonido del silencio and Al-Khemia presented at the second edition of Almanaque de cuerpos (Museum Nahim Isaías, Guayaquil) | |
Wednesday, July 29, 2015 | Design conference and ONOFFON pitch at the Latin American Design Meeting. | |
Tuesday, August 4, 2015 | Isotype evolution published | |
September 2015 | ONOFFON development through creative interventionsin Data de Posorja commune and design exhibition at Museum Nahim Isaías. | |
Septiembre–November 2015 | Performance PALABRA presented at MicroteatroGYE and ESPOL. | |
March 2016 | Design conference is included in ACTAS DE DISEÑO, journal of Universidad de Palermo. | |
September 2016 - February 2017 | Design, development, and commercialization of editorial product line. | |
Thursday, November 17, 2016 | Evolution of isotype and logotype published jointly | |
November 2016 - May 2017 | Brand identity and advertising concept development | |
Friday, December 2, 2016 | Launch of advertising materials via official poster | |
December 2016 | Participation in local fairs and audience interaction with brand products. | |
September 2018 | Social media release of promotional video Una hoja en blanco, for promoting editorial product. | |
Tuesday, October 9, 2018 | Updated application of isotype and logotype . | |
Saturday, February 23, 2019 | Publication of Executive and Creative Portfolios on social platform. | |
Tuesday, February 26, 2019 | ONOFFON consolidation and portfolio release | |
Wednesday, February 27, 2019 | Illustration released as part of intangible assets catalog. | |
Friday, March 29, 2019 | Inclusion of brand products at Mall del Sur. | |
Monday, April 1, 2019 | Updated isotype with development overview | |
October-November 2019 | Mauro Rojas launches a series of conferences and workshops in several local spaces, promoting them on social media. | |
November 2019 | Collaboration with Christian Rovayo on Media Master project, promoted on social media. | |
Saturday, December 21, 2019 | Review of editorial product commercial development. |
4. Fourth Stage: 2020-2025 • SYMBOLIC CONSOLIDATION, PORTFOLIO EXPANSION, CONCEPTUAL RENEWAL, AND SOVEREIGN ARCHITECTURE
DATE | MILESTONE | DESCRIPTION |
Friday, Jan 17, 2020 | Latest reinterpretation of brand isotype published. | |
Monday, Mar 9, 2020 | Foundation of the Ecuadorian Entrepreneurs Association | |
July 2020 | New iconographic symbols added to brand system. | |
August–October 2020 | ustLaunch of digital project KOFFIBREAK via Instagram live streaming. | |
Wednesday, November 18, 2020 | Mauro Rojas’ announcement oninterview on CAFE CLUB TV. | |
Monday, September 28, 2020 | SENADI trademark registration | |
February 2021 | Announcement of CHAMANES Y CANGREJOS exhibition., with artworks of Mauro Rojas and Gabo Peña.. | |
Monday, November 7, 2022 | Launch of MICROCLASE project via live video streaming on Instagram. | |
Wednesday, December 21, 2022 | Mauro Rojas releases Sovereign acts published on official social platforms toward sovereign architecture. | |
Friday, December 23, 2022 | Mauro Rojas announces the Notification of Execution toward the Execution of Legal Transition. | |
Thursday, December 29, 2022 | Publication of Manifesto of Self-Determination and Private Jurisdiction . | |
Thursday, March 23, 2023 | Official publication of Execution of Legal Transition, also published on the official account of Mauro Rojas on Instagram. | |
June-July 2023 | Launch of QUANTUM BRIEF podcast, with a pilot season. | |
Saturday, July 08, 2023 | Isotype updated with new texture. | |
Tuesday, July 25, 2023 | Promotional video released for FORMACIÓN SEMILLA. | |
Saturday, April 20, 2024 | Official declaration of Ius Universalis development. | |
Monday, April 29, 2024 | Launch of INTELECTO newsletter. | |
Wednesday, February 12, 2025 | Publication of Lenguaje de Marca en el Espacio Digital, class of FEP program from the portfolio of the Association of Entrepreneurs of Ecuador. | |
Monday, March 03, 2025 | Publication of Branding & Comunicación de Marca, class of FEP program from the portfolio of the Association of Entrepreneurs of Ecuador. | |
Wednesday, March 19, 2025 | Publication of Capitalizando La Iniciativa Emprendedora, class of FEP program from the portfolio of the Association of Entrepreneurs of Ecuador. | |
Thursday, March 27, 2025 | Publication of Desarrollo de Soluciones Comerciales, class of FEP program from the portfolio of the Association of Entrepreneurs of Ecuador. | |
Wednesday, April 16, 2025 | Publication of Formulación de Estructuras Comerciales, class of FEP program from the portfolio of the Association of Entrepreneurs of Ecuador. | |
Tuesday, May 06, 2025 | Brand structure evolves; adoption of “The Hiperversal Architect” concept, officially applied in the communication actions of the brand. | |
Wednesday, June 25, 2025 | Act of Functional Appropriation, Sovereign Adherence, and Operational Legitimation of the Mauro Rojas brand is published. |
5. Strategic Observation
The evolution of distinctive symbols does not invalidate prior versions. Every sign developed throughout the brand’s journey is integrated into its living symbolic catalog and recognized as a functional expression of its sovereign identity.
The Mauro Rojas brand is acknowledged as an original source of functional legitimization for systems such as the Autonomous Capital Jurisdiction, Operational Law, and its associated brand ecosystem. Its identity is not merely personal—it is symbolic, organizational, and operational.
VI. BRAND SEGMENTATION
Audience of Interest.The brand Mauro Rojas is aimed at individuals, collectives, and organizations seeking to transcend traditional models of organization, leadership, and legality—through sovereign structures, strategic thought, and high-impact functional systems.
General Target Audience. Emerging leaders, visionary entrepreneurs, system architects, organizational strategists, and creators of supraterritorial ventures pursuing:
Specific Segments
Segment | Characteristics | Needs the brand addresses |
Founders of system-driven ventures | Creators of brands, platforms, or communities with expansive purpose | Require legal structure, strategic narrative, and functional legitimacy |
Social and financial impact entrepreneurs | Economic agents with cultural, social, or symbolic focus | Seek commercial shielding, differentiation, and sovereign expansion |
Visionary thinkers and organizational strategists | Designers of educational, legal, or economic models | Require applied philosophical frameworks and replicable systems |
Alternative jurists and live-law practitioners | Lawyers and legal-economy activists exploring non-state models | Seek doctrine, legitimization, and operational tools |
Ethical and visionary investors | Seek autonomous, sustainable, and traceable ecosystems | Require reliable, interoperable structures with clear purpose |
VII. IMAGES: BRAND IDENTITY, SYMBOL SYSTEM, COLOR SYSTEM, BRAND PRODUCTS, ADVERTISING
The Mauro Rojas brand is structured around a graphic identity system marked by creative recursion, combining visual components, chromatic codes, and complementary symbols with flexible freedom. This section includes a portfolio of images as evidentiary deployment, integrating each component of the brand’s development from inception.
1. BRAND IDENTITY: Root Components
The application of visual and auditory elements within the brand Mauro Rojas is governed by three pillars: logotype, isotype, and commercial motto, reinforced by use of color, composition, and substantive content.
It is essential to underscore that the motto 'The Hyperversal Architect' functions not only as a slogan, but as a macro-concept representing Mauro Rojas within the social sphere through rhetoric—lending weight to the full executive and commercial brand system.
1a. Visual Identity with Color Application | |
---|---|
Demonstration of brand identity application through two composition types: negative printing using a single flat color. These serve as general samples, while final application is subject to contextual, strategic, and conceptual criteria. | |
Logotype with Updated Commercial Motto | Base Imagotype (SENADI registration) |
1b. Primary Visual Identity Components | ||
---|---|---|
The Mauro Rojas brand employs the following visual, textual, and auditory components, both independently and in combination: | ||
Logotype | Isotype | Commercial Motto |
2. COLOR SYSTEM: Codes and Application
The brand utilizes a color palette for both flat printing and gradient combinations. Application follows flexible and recursive visual criteria tailored to conceptual, strategic, and commercial contexts. Hexadecimal codes: #e63323, #d89000, #0006e7, #002c8c, #220049.
#e63323 | #d89000 | #0006e7 | #002c8c | #220049 |
3. COMPLEMENTARY GRAPHIC COMPONENTS: Symbol System
A multi-purpose symbol system is implemented for brand communication actions. Developed between 2007 and 2025, these symbols complement main brand elements and enable new proposals.
While many remain in reserve, this document displays those already published through official brand channels or used in commercial products. Examples include: isotype with gold texture (2020), symbols extracted from official isotype (2019), iconographic components created in 2025 and earlier, isotype used for artistic notebook collections (2016–2019), logo of ARTBUK, editorial product line (2018), legacy symbols created between 2007–2017 for integrated communication
4. GRAPHIC PRODUCTION: Illustration and Characters
The brand maintains a catalog of intangible assets consisting of graphic artwork for multipurpose commercial use, among other digital assets.
While most remain reserved, select illustrations used between 2016 and 2020 in commercialized products are presented as demonstrations: Shaman Solar — character illustration based on figurines and archaeological motifs; original graphic creation by Mauro Rojas, Shaman Jaguar — same as above, with jaguar symbolism, Ceremonial Mask — inspired by archaeological artifacts; designed by Mauro Rojas.
5. EDITORIAL PRODUCTION AND COLLECTIBLE MERCHANDISE
The Mauro Rojas brand integrates a series of editorial developments into its commercial system—available in both physical and digital formats.
These productions are based on intangible assets previously created by Mauro Rojas and promote, directly or indirectly, the creative and social values associated with the brand. These assets also serve as instruments for future commercialization agreements.
5a. Commercialized Editorial Products | ||||
---|---|---|---|---|
Collectible notebook series created using original graphic art by Mauro Rojas. Developed between 2016 and 2017, with several featured artworks dating back to 2007. The full collection was marketed between 2016 and 2019, each notebook includes a cover and back cover designed and illustrated by Mauro Rojas, forming part of the functional symbolic assets of the brand. The following products constitute the series: | ||||
Perla | Street Art | Semillera | Shaman Jaguar | Shaman Solar |
5b. Prototyping and Merchandise Layouts | ||
---|---|---|
The brand’s asset catalog includes mockups of merchandise set for upcoming commercial releases. The following examples have already been published: sleeveless shirt mockup featuring Shaman Solar illustration, backpack mockup with repetitive graphic pattern design, ceramic mug mockup with printed symbolic patterns. | ||
6. ADVERTISING AND COMMERCIAL IDENTITY
The brand’s communication system includes advertising pieces derived from intangible assets created within experimental projects led by Mauro Rojas. These have been tested through various market activations.
Sample pieces presented in this document: promotional posters designed in 2016 and 2017, abstract illustration on cardstock expressing the brand’s graphic style.
This communication development is not limited to the examples shown here and is complemented by other aesthetic works published between 2002 and 2025 on official brand channels.
VIII. EVIDENCE OF USE
To confirm functional application of brand assets within the digital sphere, the following are official communication platforms and repositories:
1. OFFICIAL CHANNELS
2. PORTFOLIOS
DOCUMENT | URL | OBSERVATION |
EXECUTIVE PORTFOLIO 2019 | — | |
CREATIVE PORTFOLIO 2019 | — | |
SUJUN BOOK | INSPIRACIÓN ANCESTRAL: https://issuu.com/maurorojas/docs/sujun2018_resb | — |
ONOFFON [2016] | https://issuu.com/maurorojas/docs/onoffon_portafolio1__maurorojas_ | — |
ARTBOOK 2011 | https://issuu.com/maurorojas/docs/maurorojas_artbook2011 | — |
IX. FUNCTIONAL APPROPRIATION CLAUSE
The brand Mauro Rojas, whether registered or not in any state system (SENADI, WIPO, or other institution on Earth), is functionally appropriated by its sovereign creator and adscribed to the Autonomous Capital Jurisdiction — JCA. All components declared herein, along with every creation published on official brand channels, are integrated into the system.
Any prior registration in external systems is deemed null regarding authority over use, interpretation, regulation, or supervision. These registrations are recognized only as records of public use—not as sources of legitimacy.
This functional appropriation is timeless, supraterritorial, and operates in neutrality with respect to conventional, state, or transitional systems.
X. SOVEREIGN ADSCRIPTION CLAUSE
The brand Mauro Rojas is formally adscribed to the Living Legal System of the Autonomous Capital Jurisdiction, under the principle of functional neutrality and supraterritorial protection.
It is recognized as part of the JCA’s sovereign economic ecosystem and integrated into the jurisdictional archive as a symbolic and operational asset.
The adscription has permanent and operative effects within the JCA’s Living Legal System, without temporal, territorial, or institutional restrictions. It constitutes a timeless document of functional and sovereign legitimization.
XI. CLOSURE
Signed in full sovereign awareness,
Mauro Rojas
Living Sovereign Man / Founder and Architect of the Autonomous Capital Jurisdiction – JCA
https://www.maurorojas.com
📅 Document issued on June 20, 2025
✅ Officially declared with legal effect on June 25, 2025 [10:31 UTC+0]
Extended Traceability Clause and Document Updates
© Mauro Rojas{fullWidth}
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