Act of Functional Appropriation, Sovereign Adscription, and Operational Legitimation of Commercial Assets — Kidoto
DECLARATION OF AUTHORSHIP, INTELLECTUAL AND INDUSTRIAL PROPERTY, INTELLECTUAL AND INDUSTRIAL AUTHORITY, EXCLUSIVE OWNERSHIP, SYMBOLIC PROTECTION, AND SOVEREIGN REGISTRATION OF COMMERCIAL ASSETS
Version 1.0
Name: Kidoto
Type of Asset: Commercial Brand / Commercial System
Date of Issuance and Activation: May 05, 2023
Date of Official Publication: May 19, 2023
Issued by: Mauro Rojas
🛡️Nature: Legal Self-Determination • Asset Protection • Functional Legal Application
🌑Lunar Phase: New Moon in Taurus
This record is declared permanent, imperishable, and binding at a supraterritorial scale. It is recognized as a foundational act inscribed within the Living Legal System of the Autonomous Capital Jurisdiction — JCA , under principles of functional neutrality, self-determination, and symbolic sovereignty. The validity of this adherence is neither dependent upon nor subordinated to state or conventional systems.
Symbolic sovereignty is declared over all signs, symbols, and narratives linked to this brand, recognizing them as legitimate, operational, and protected functional assets within the Living Legal System of the Autonomous Capital Jurisdiction — JCA.
Interpretation, evolution, and reproduction of its symbolic components are subject solely to the jurisdictional authority of its creator, without subordination to external or conventional normative systems.
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I, Mauro Rojas, a living and sovereign man of full right, pre-juridical, pre-legal and pre-state, legally self-determined and in exercise of my private jurisdiction pursuant to the legal principles documented since 2022, hereby establish:
I. DECLARATION OF ORIGIN AND PURPOSE
In exercise of functional self-determination and under the doctrinal framework of Ius Universalis, the sovereign affiliation of the commercial brand named “Kidoto” to the Autonomous Capital Jurisdiction - ACJ is hereby declared, as an act of symbolic, functional, and economic shielding.
This brand is not limited to being a distinctive sign. It is declared as an autonomous commercial system, with its own identity, functional purpose, and verifiable traceability.
II. IDENTIFICATION: NAME AND CHARACTERISTICS
| ASPECT / FACTOR | DETAIL |
| Brand Name | Kidoto |
| Slogan / Commercial Motto | |
| Writing Format | First letter Capital. All lowercase. ALL UPPERCASE. |
| Integrated Distinctive Components | Recursive imagotype. Root isotype. Logotype. Complementary and derivative signs. Commercial motto. Chromatic system. |
| Social Media Presentation | — |
| Registration in State System | No |
| Registration Status | None in the state system. |
| Registered Name | — |
| Observation: | This brand is declared as a functional asset with industrial sovereignty affiliated to the JCA, regardless of its status in state systems. |
III. OPERATIONAL ARCHITECTURE OF THE BRAND
| FIELD | DETAIL |
| Application Format | |
| Functional Nature | |
| Operational Purpose | Activate cutting-edge ethnic design with archaeological inspiration, generating tangible cultural value and economic dynamism in rural communities through direct hiring and creative training. The brand connects heritage with development. |
| Integrated Disciplines | Symbolic design, ethnic-inspired design, aesthetic archaeology, artisanal production, narrative curation, socioeconomic activation, cultural exportation, and jurisdictional affiliation of heritage brands. |
| Operational Launch | |
| Target Segment [summary] | Collectors of ethnic design, conscious consumers, curatorial spaces, export channels, rural artisans, heritage development nodes, and institutional allies of fair trade and culture. |
| Monetization Model | Multidimensional, multinodal, and heritage-based: includes international sale of pieces, limited edition licensing, collection curation, community training, and symbolic and operational affiliation to the sovereign JCA system. |
IV. BRAND TONE AND POSITIONING
V. FUNCTIONAL TRACEABILITY OF THE BRAND
This section documents the symbolic, functional, and economic evolution of the Kidoto brand, as part of its sovereign legitimization within the Living Legal System of the Autonomous Capital Jurisdiction - ACJ, supported by the following timeline of development, activation, and execution:
1. First Stage: 2010-2014 • INCUBATION, GRAPHIC LAB PROCESSES, INITIAL DISTINCTIVE SIGNS
| MARKING DATE | MILESTONE | DESCRIPTION |
| July–August 2010 | Mauro Rojas’s trip to Turkey to participate in an international cultural heritage residency, an event that influences his economic and sociocultural vision for founding the design studio. | |
| November 2010 – June 2011 | Mauro Rojas builds the philosophical foundation of ONOFFON, a project born from inspiration gained during his stay in Istanbul. Initial ideas for creating Kidoto emerge. | |
| February 2011 | Mauro Rojas publishes a series of iconographic symbols from the studio — design commissions and archaeology-inspired works — in an interview for the magazine NEW WEB PICK. | |
| March–September 2012 | Mauro Rojas begins creating the first artistic pieces of the ONOFFON project. | |
| April–June 2013 | Mauro Rojas conducts a research project focused on analyzing archaeological traits, with support from the Archaeological Reserve of the MAAC – Museum of Anthropology and Contemporary Art, in Guayaquil. | |
| Thursday, August 1, 2013 | Mauro Rojas presents first results of works created for Kidoto during the conference 'Design as a Discipline and Tool for Sociocultural Development', delivered at the Latin American Design Meeting. | |
| September–November 2013 | Mauro Rojas conducts graphic lab processes to create iconographic compositions that lead to the construction of collectible pieces in the art and fashion fields. | |
| March–June 2014 | Mauro Rojas conceptualizes the brand’s essence and assigns the name KIDOTO after an eight-month lab process, producing a catalog with a large volume of works. |
2. Second Stage: 2015-2020 • GERMINATION, FIRST DEVELOPMENT RESULT, BRAND IDENTITY, PRODUCT CREATION, MARKET EVALUATION
| MARKING DATE | MILESTONE | DESCRIPTION |
| March–September 2015 | Mauro Rojas evaluates the incubation process from previous years to formalize graphic development and define brand identity components. | |
| October–December 2015 | Mauro Rojas consolidates results obtained in graphic development labs to build the brand system. This process is presented as his graduation project for the Bachelor’s Degree in Graphic and Advertising Design. | |
| Monday, December 21, 2015 | Publication of the document BROCHURE DE PROCESOS: Development of corporate identity for a contemporary craft brand, summarizing the development of Kidoto’s brand system, authored by Mauro Rojas. | |
| Monday, January 11, 2016 | Publication of Kidoto’s conceptual and brand identity development, integrated into the Eonminu portfolio to enhance ONOFFON lab results. | |
| Saturday, November 19, 2016 | Mauro Rojas tests some of the first products created under the Kidoto concept in the market. | |
| Saturday, December 17, 2016 | Mauro Rojas adds new products to the Kidoto proposal and promotes them at local commercial fairs. | |
| Wednesday, March 01, 2017 | Publication of design results used to create Mauro Rojas’s artistic notebook collection. | |
| Thursday, September 21, 2017 | Mauro Rojas sells the first handbag created artisanally under the concept developed for Kidoto. | |
| Sunday, October 07, 2018 | Mauro Rojas publishes artistic development progress on social platforms from Kidoto’s experimental graphic lab. | |
| Tuesday, December 18, 2018 | Product creation process continues to shape Kidoto’s catalog. | |
| Saturday, July 04, 2020 | Mauro Rojas publishes graphic development progress to compose textile creation applications. |
3. Third Stage: 2021-2023 • WORK CONSOLIDATION, DEVELOPMENT EVALUATION, SOVEREIGN ARCHITECTURE
| MARKING DATE | MILESTONE | DESCRIPTION |
| Wednesday, November 12, 2021 | Mauro Rojas publishes graphic development progress to compose textile creation applications. | |
| September–December 2022 | Mauro Rojas evaluates the entire process developed between 2011 and 2021 to execute financial valuation of the Kidoto brand. | |
| Friday, May 19, 2023 | Publication of the Act of Functional Appropriation, Sovereign Adscription, and Operational Legitimation of Commercial Assets of the Kidoto brand. |
4. Strategic Observation
The evolution of Kidoto®’s narratives, designs, pieces, and symbolic methodologies does not invalidate its previous expressions. Each collection, artisanal process, aesthetic activation, and community linkage is integrated into the symbolic heritage catalog of the jurisdictional system, recognized as a legitimate and functional manifestation of its elevated cultural identity.
Kidoto® is recognized as strategic heritage infrastructure, oriented toward ethical production, artistic curation, and commercial activation of symbolic pieces with ancestral meaning. Its identity exceeds the conventional artistic or commercial framework: it is operational, doctrinal, and supraterritorial, projected as a living jurisdictional brand of heritage design affiliated with the functional system of the JCA.
VI. BRAND SEGMENTATION
Interest Audience. Kidoto® is aimed at lovers of exclusive design craftsmanship, collectors, curators, cultural activators, artisan communities, conscious consumers, and institutional allies who promote living heritage as an economic, artistic, and symbolic resource.
The brand operates as a sovereign production and commercialization system, offering exclusive design pieces of high cultural value with operational legitimacy.
General Target Audience. Designers with heritage purpose. Curators of applied art with ancestral focus. Rural activators in creative and economic processes. Institutional nodes of fair trade and cultural heritage. Museographic spaces, design fairs, and ethical export platforms.
This specific audience seeks:
Specific Segments
| Segment | Characteristics | Needs Addressed by the System |
| Luxury ethnic design collectors | Individuals acquiring unique pieces with symbolic value and heritage traceability. | Aesthetic curation, operational legitimization, cultural narrative, and documentary exclusivity. |
| Rural artisans affiliated with the system | Creators producing under sovereign design parameters. | Creative training, fair compensation, commercial integration, and institutional support. |
| Curators and cultural institutions | Organizations promoting heritage art and symbolic design. | Collaboration models, access to unique collections, supraterritorial legitimization. |
| Fair trade and ethical export allies | Platforms promoting conscious products with social and cultural impact. | Verifiable commercial ecosystem, doctrinal legitimization, and sovereign logistics architecture. |
| Museographic spaces and design fairs | Events showcasing and promoting auteur cultural design. | Institutional narrative, access to collectible pieces, sovereign documentary linkage. |
VII. IMAGES: GRAPHIC IDENTITY, CHROMATIC SYSTEM, ISOTYPE ADAPTABILITY, COMMERCIAL APPLICATION, CATALOG PRODUCTS, PUBLIC PRESENTATION
The Kidoto brand features a graphic identity system composed of two components that interact freely, with plasticity and recursion. This section integrates a display of images as evidence of use, including each component that forms part of the system’s development since its inception.
1. GRAPHIC IDENTITY: Core Components
The application of Kidoto’s visual and sonic components is governed by three pillars: logotype, isotype, and commercial motto, reinforced by the use of color, composition, textures, and substantial content, according to the implemented narrative.
| Brand Identity and Color Application | |
|---|---|
| Demonstration of visual identity application with two composition types, in positive print and flat color usage, serving as a general sample, though final application may follow diverse criteria. | |
| Brand Logotype | Isotype with Color Application |
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2. CHROMATIC SYSTEM: Codes and Application
Kidoto’s brand palette allows flexible and variable combinations, both in flat colors and gradients, including texture fusion. Expressed in hexadecimal code, the colors integrated into the system are: #aae646, #63c29d, #ca412c, #e7b220, #876d0d.
| #aae646 | #63c29d | #ca412c | #e7b220 | #876d0d |
3. ISOTYPE ADAPTABILITY
Kidoto’s isotype may be reinterpreted for diverse applications using textures, colors, haute couture embroidery, among other variations, with the express intention of building an enriched graphic narrative inspired by Nature itself.
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4. COMMERCIAL APPLICATION: Stationery Instruments, Packaging, Labels, Textile Compositions
The communication system of the Kidoto brand includes a series of applications in business stationery, packaging, labels, textile design applications for artisanal handbags, among other complements.
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5. CATALOG PRODUCTS
Kidoto contains a catalog of artisanally created handbags. Each piece is an authentic work inspired by archaeological artifacts with exclusive design, and includes bead embroidery applications.
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6. PUBLIC PRESENTATION
The Kidoto brand has been presented at events in Guayaquil, Quito (Ecuador), and Buenos Aires (Argentina), across various art and design events throughout its development. Below are images of result exhibitions shown by Mauro Rojas during the awarding of his Bachelor’s Degree in Graphic Design.
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VIII. EVIDENCE OF USE
For functional verification regarding the use of brand resources in the digital sphere, the following platforms are integrated as official communication channels, including portfolios and other official publications:
1. OFFICIAL CHANNELS
| PLATFORM | URL | OBSERVATION |
| Jurisdictional Platform | — | |
| — |
2. PORTFOLIO
| DOCUMENT | URL | OBSERVATION |
| SUJUN BOOK | INSPIRACIÓN ANCESTRAL: https://issuu.com/maurorojas/docs/sujun2018_resb | — |
IX. FUNCTIONAL APPROPRIATION CLAUSE
It is declared that the Kidoto®, brand, whether or not registered in state or institutional systems (SENADI, WIPO, or other entities anywhere in the world), is functionally appropriated by its sovereign creator and adscribed to the Autonomous Capital Jurisdiction - ACJ, integrating into the system all components established in this document, as well as all narrative, design, piece, collection, methodology, publication, or content linked to the brand that is issued through official channels under the direction of Mauro Rojas.
Any prior registration in external systems is recognized exclusively as public precedent, without legitimate authority over its use, oversight, or interpretation, and is not considered a source of functional legitimization.
The functional appropriation of the brand is permanent, supraterritorial, and neutral, in relation to any state, conventional, or transitional system. Its authority arises from the sovereign and non-delegable purpose of its creator.
X. SOVEREIGN ADSCRIPTION CLAUSE
The Kidoto® brand is formally adscribed to the Living Legal System of the Autonomous Capital Jurisdiction - ACJ, under the principle of operational neutrality, structural legitimization, and supraterritorial protection.
Kidoto® is recognized as part of the strategic heritage infrastructure, adscribed to the cultural and economic node of the JCA, ecosystem, and integrated into the Jurisdictional Archive as a symbolic, operational, and doctrinal asset.
This adscription has permanent, functional, and doctrinal effects, and constitutes an imperishable document of sovereign commercial legitimization, without territorial, institutional, or temporal restriction.
XI. CLOSURE
Signed in full sovereign awareness,
Mauro Rojas
Living Sovereign Man / Founder and Architect of the Autonomous Capital Jurisdiction – JCA
https://www.maurorojas.com
📅 Document issued on May 05, 2023
✅ Officially declared with legal effect on May 19, 2023 [15:53 UTC+0]
Extended Traceability Clause and Document Updates
© Mauro Rojas{fullWidth}
🔐 Document protected by SHA-256 hash
★JCA — All rights reserved. {alertInfo}
